One more revenge drama peppered with all of the gravity-defying motion sequences and cliches accessible on this planet of Indian cinema launched final week. It is referred to as Khuda Hafiz Chapter 2 Agni Pariksha. Sheeba Chaddha as Thakur is the one real effort that might have made up for all of the mess that the movie is in any other case. Written and directed by Faruk Kabir, Khuda Hafiz Chapter 2 launched final Friday and options Vidyut Jammwal within the lead, Shivaleeka Oberoi, Divyendu Bhattacharya and Rajesh Tailang. (Additionally learn: Khuda Haafiz 2 earns ₹3 crore in two days)
Shivaleelika Oberoi and Vidyut Jammwal play husband and spouse, struggling to get again to regular life after she was kidnapped and raped. However, as a rule, the true wrestle for the viewers is to empathise with them - neither love, nor loss, ache or grief appear pure with this couple. A lady is fighting post-traumatic stress dysfunction after being kidnapped and gang raped in a international land. Her husband, in all his ‘love’ for her, prepares her breakfast and accompanies her to counselling, solely to declare all is nicely when she would not really feel the identical.
The person, Vidyut as Sameer, brings a five-year-old lady who not too long ago misplaced her mother and father and determined that is the treatment to normalising their lives. Does the spouse, Nargis, need the identical? We do not know, nobody cared to ask her. Sameer assumed she'd develop keen on the kid and emerge comfortable. And, that's exactly what occurs. After a couple of scenes to underline how disinterested Nargis is within the baby, a canine assaults the younger one, triggering all of the motherly instincts and love in Nargis. Quickly, it's a clean adoption and a contented household. Nonetheless, one other tragedy strikes quickly sufficient and unleashes the precise plot - an untrained man (Sameer) is the one-man military who fights the villains of his life, the corrupt cops and even a dozen hardcore criminals when locked up inside a jail.
Issues get barely higher when Sheeba arrives on the scene - a sari-clad girl commanding all the home, and her henchmen. Along with her rudraksh necklace, her tightly tied bun, strong cotton sarees and overpowering presence; Sheeba's character is meant to be the centre of all issues for our protagonist. It might have served the same objective for Sheeba's profession as nicely, had been the position written for a greater movie.
Regardless of the issues with the writing, Sheeba lifts the movie along with her highly effective presence and on-point appearing. The Thakur goes all out to guard her grandson from getting caught, at the same time as she continues to assault a girl inside her personal home.
The calmness with which Thakur orders her henchmen to commit crimes akin to murders is chilling. The unwavering, adamant and confident aura about her distinguishes her from villains we normally see in such revenge-action movies. She doesn't panic when the hero will get the higher hand neither does she get over-confident when she wins.
Regardless of being positioned in a badly-written movie, Thakur will nonetheless be listed as one among Sheeba's finest performances.
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